{"id":2173,"date":"2025-08-04T16:09:38","date_gmt":"2025-08-04T16:09:38","guid":{"rendered":"https:\/\/particip-action.com\/?p=2173"},"modified":"2025-08-04T17:17:01","modified_gmt":"2025-08-04T17:17:01","slug":"la-transgression-de-lespace-dans-le-piege-a-conviction-de-jeannette-ahonsou","status":"publish","type":"post","link":"https:\/\/particip-action.com\/?p=2173","title":{"rendered":"LA TRANSGRESSION DE L\u2019ESPACE DANS LE PI\u00c8GE \u00c0 CONVICTION DE JEANNETTE AHONSOU"},"content":{"rendered":"<p style=\"text-align: justify;\"><span style=\"text-decoration: underline;\"><strong><span style=\"font-size: 10pt; font-family: arial, helvetica, sans-serif;\">R\u00e9sum\u00e9<\/span><\/strong><\/span><br \/>\n<span style=\"font-size: 10pt; font-family: arial, helvetica, sans-serif;\">Le pr\u00e9sent article a pour objectif de passer par les \u00e9tudes spatiales et soci\u00e9tales pour d\u00e9gager les diff\u00e9rentes connotations d\u00e9coulant du contact des espaces fictionnels avec le corps f\u00e9minin. En effet, la distribution sexu\u00e9e des espaces effectu\u00e9e dans le contexte colonial et postcolonial a laiss\u00e9 perplexe nombre des \u00e9crivaines telles que Jeannette Ahonsou qui envisage d\u00e9sormais passer par les repr\u00e9sentations de l\u2019espace pour d\u00e9finir le nouveau statut du f\u00e9minin ainsi que la charge s\u00e9mantique que peut g\u00e9n\u00e9rer sa pr\u00e9sence au sein d\u2019un espace donn\u00e9. Dans ce sillage, Ahonsou introduit au sein de sa trame textuelle des personnages f\u00e9minins \u00e0 caract\u00e8re \u00e9mancipateur qui r\u00e9investissent l\u2019espace fictionnel \u00e0 travers leurs multiples r\u00f4les. Le personnage de Judith, une jeune infirmi\u00e8re, sera \u00e0 l\u2019origine d\u2019un bouleversement spatial qui s\u2019engendrera dans Le pi\u00e8ge \u00e0 conviction induisant \u00e0 parler de \u2018\u2019la transgression spatiale\u2019\u2019 dans l\u2019oeuvre.<\/span><br \/>\n<span style=\"font-size: 10pt; font-family: arial, helvetica, sans-serif;\">Mots-cl\u00e9s : Transgression, espace, transgression de l\u2019espace, Jeannette Ahonsou.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"text-decoration: underline;\"><strong><span style=\"font-size: 10pt; font-family: arial, helvetica, sans-serif;\">Abstract<\/span><\/strong><\/span><br \/>\n<span style=\"font-size: 10pt; font-family: arial, helvetica, sans-serif;\">The objective of this article is to go through spatial and societal studies to identify the different connotations resulting from the contact of fictional spaces with the female body. Indeed, the sexual distribution of spaces carried out in the colonial and postcolonial context has left many writers perplexed such as Jeannette Ahonsou who now considers going through the representations of space to define the new status of the feminine as well as the semantic charge that can generate its presence within a given space. In this wake, Ahonsou introduces into its textual framework female characters with an emancipatory character who reinvest the fictional space through their multiple roles. The character of Judith, a young nurse, will be at the origin of a spatial upheaval which will occur in The Conviction Trap, leading to talk of \u201cspatial transgression\u201d in the work.<\/span><br \/>\n<span style=\"font-size: 10pt; font-family: arial, helvetica, sans-serif;\">Keywords: Transgression, spatial transgression, space, Jeannette Ahonsou<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>R\u00e9sum\u00e9 Le pr\u00e9sent article a pour objectif de passer par les \u00e9tudes spatiales et soci\u00e9tales pour d\u00e9gager les diff\u00e9rentes connotations d\u00e9coulant du contact des espaces fictionnels avec le corps f\u00e9minin. En effet, la distribution sexu\u00e9e des espaces effectu\u00e9e dans le contexte colonial et postcolonial a laiss\u00e9 perplexe nombre des \u00e9crivaines telles que Jeannette Ahonsou qui [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":501,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"saved_in_kubio":false,"footnotes":""},"categories":[28],"tags":[],"class_list":["post-2173","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a-r"],"_links":{"self":[{"href":"https:\/\/particip-action.com\/index.php?rest_route=\/wp\/v2\/posts\/2173","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/particip-action.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/particip-action.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/particip-action.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/particip-action.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2173"}],"version-history":[{"count":1,"href":"https:\/\/particip-action.com\/index.php?rest_route=\/wp\/v2\/posts\/2173\/revisions"}],"predecessor-version":[{"id":2178,"href":"https:\/\/particip-action.com\/index.php?rest_route=\/wp\/v2\/posts\/2173\/revisions\/2178"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/particip-action.com\/index.php?rest_route=\/wp\/v2\/media\/501"}],"wp:attachment":[{"href":"https:\/\/particip-action.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2173"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/particip-action.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2173"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/particip-action.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2173"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}